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Leopold Sulerzhitsky

Leopold Sulerzhitsky: the First Studio and sustained investigation in the rehearsal room.

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Zeami

Zeami: voice, movement and the actor’s craft across a lifetime of practice.

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The American Laboratory Theatre: learning a process

American Laboratory Theatre: attention, action, observation and the training of actors in 1920s New York.

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The First Studio of the Moscow Art Theatre: a room for experiment

Moscow’s First Studio: exercises, role study and the connection between experiment and performance.

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Meyerhold’s studios and theatre: precision that can play

Meyerhold’s training rooms: rhythm, balance, direction and physical precision that leaves room for play.

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Copeau’s school and the Copiaus: building the actor’s resources

Copeau’s school and the Copiaus: body, voice, text and the resources of an ensemble.

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The Chekhov Theatre Studio: imagination in a shared space

Chekhov Theatre Studio: atmosphere, imagination and the actor’s work in a shared space.

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Delsarte and American Delsartism: expression and its claims

American Delsartism: gesture, expressive purpose and the limits of universal claims about meaning.

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The Open Theater: the ensemble as a workshop

The Open Theater: voice, movement and improvisation as material for ensemble creation.

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The Polish Laboratory Theatre: precision and impulse

Polish Laboratory Theatre: repeatable action, impulse and contact with another performer.

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The Performance Group: training in an environment

The Performance Group: actor preparation in relation to spectators, architecture and space.

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The Neighborhood Playhouse

Neighborhood Playhouse: a New York conservatory, sustained practice and its connection to Meisner’s work.

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The Lee Strasberg Theatre & Film Institute

Strasberg’s Institute: Method training and the continuing study of imagined circumstances.

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The Stella Adler Studio of Acting

Adler’s Studio: the acting institution and its attention to imagination and the world of a play.

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HB Studio and the Hagen Institute

HB Studio: continuing artistic practice and the teaching carried through the Hagen Institute.

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Michael Chekhov Schools and Associations

Michael Chekhov associations: a living teaching community working with movement and imagination.

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The Actors Studio

The Actors Studio: a private membership workshop and the continuing practice of theatre artists.

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The Grotowski Institute

The Grotowski Institute: artistic research and documentation distinct from the historical Laboratory Theatre.

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Linklater Voice Centres

Linklater voice centres: an international teaching community connecting voice, thought and language.

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Roy Hart Centre and Roy Hart Theatre

Malérargues and Roy Hart: the living voice centre, the historical theatre company and their distinct roles.