Try one playable adjustment.

Read the play as a whole, then test your choices.

Give play a clear focus... and see what happens.

Give attention, action, and observation a daily practice.

Find the behavior inside the circumstances.

Let imagination move through your body.

Let the other person matter to you.

Give your imagination a world to work in.

Your senses can give imaginary circumstances weight.

Stanislavski’s actor training: texts, translations, rehearsal practices and changing terminology.

Robert Cohen: goals, obstacles, tactics and the GOTE framework.

Eric Morris: the actor’s instrument, the craft of dramatic material and his published system.