The Use and Training of the Human Voice by Arthur Lessac. What can you learn by attending to the physical experience of sound and speech?

Speaking Shakespeare by Patsy Rodenburg. How do you carry a complex thought so another person can follow its necessity?

The Actor Speaks by Patsy Rodenburg. Can your voice meet the actual demands of the role, room and performance?

The Right to Speak by Patsy Rodenburg. What changes when you experience speaking as a right you can exercise?

Text in Action by Cicely Berry. How does a passage change when it is something you do with another person?

The Actor and the Text by Cicely Berry. What does this particular writing ask your voice to do?

Voice and the Actor by Cicely Berry. What is your voice doing in service of the words?

Freeing Shakespeare's Voice by Kristin Linklater. Can the language become an event in your mouth, body and imagination?

Freeing the Natural Voice by Kristin Linklater. How does your voice become available to a thought and a listener?

Keeping It Active by Jeannette Nelson. What is the structure of the language trying to do to the listener?

Finding Your Voice by Barbara Houseman. Which part of the voice process needs your attention now?

Singing and the Actor by Gillyanne Kayes. Can you name the singing task precisely enough to work on it?

Body Voice Imagination by David Zinder. How can an image become a physical and vocal event?

Singing With Your Own Voice by Orlanda Cook. What becomes possible when you investigate the voice you actually have?